Two takes on "you get what you pay for"

My work with small and rural business has made me realize there really are two concepts covered by the adage "you get what you pay for".

The first one is obvious. If you buy a cheap pair of shoes, they last three months; if you buy a good quality but more expensive pair, they last you years. The same goes with your marketing communications. A designer who charges you $10 per hour is probably one of three things: desperate, untrained or unemployable. Most designers have pride and talent that comes with a fair market value. This is also true of your marketing consultants. If your consultant has solid experience and a background with results, then it is going come with a price tag.

The second interpretation is a little different, but is a piece of information to which start-up businesses need to pay particular attention, and small business might still require.

In this case, "you get what you pay for" speaks to the fact that once you have paid for your design, you own it and your designer or advertising firm should make it readily available to you. In fact, you really should get copies of all your designs - logos, ads, print materials - to keep for your own records.

I have recently heard of too many situations where designers are refusing to release logo designs and print ads. And in some cases, promotional item houses are refusing to release the digitized logos used to sew garments. I assume they do this to try to keep the business to themselves. If they give you the logo, you can get anyone to do the work for you.

In both cases, once the item has been paid for, you own it and are entitled to have it in your possession to do with what you wish. Don't ever let a designer, ad firm or promo producer tell you otherwise.

Canadian Intellectual Property law stipulates that once the work is paid for, it belongs to the person/firm who paid for it. For there to be an exception to this rule, there must be a contract, signed by both parties that clearly states the property remains in the designer's ownership.

I think it is fair to say designers/companies who will not release your logo, ad or other designs are not ethical marketing personnel. If this has happened to you, I hope you no longer do work with them. If it hasn't happened to you yet, the minute it does change your supplier to someone who knows and abides by the law.

There may be a small fee from your designer to supply you with digital files of your work, and I mean a small fee. This would cover the time to back-up the files, sort them, burn them to disk, etc. Hopefully, your designer has included this in his estimate of costs and automatically supplies you with your files without any form of debate.

So if you are tired of hearing people say "you get what you pay for" as you go along marketing your business with cheap paper, amateur design or free existing templates - and then not seeing the results you desire - perhaps you weren't meant to be a long-lasting success. But even for you folks, the second interpretation is valuable.

When less is definitely more

How many ads have you seen and heard where the advertiser tries to do too many things at once? Unfortunately, I've seen way too many over the last weeks. My focus on rural and small business has exposed me to print and audio/visual advertising that is over-designed, over-produced and completely unfocused.

If you want to make the most of your advertising, there is a very key thing to remember. Be focused, focused, focused.

Keep your message short and sweet. People today have very short attention spans, especially for advertising. You'll never successfully be all things to all people, so don't even try. Know your audience thoroughly and design your messages to speak clearly to them.

Don't mix your messages. Pick a topic and stay on it. The 30-second radio spot is great for this because you can only do a little bit in 30 seconds. But print ads and flyers can get away from you pretty quickly.

Make sure your designer understands the concept of minimalism. There's often no need for tons of illustrations, graphic effects, and there's definitely no need for a kazillion type styles and sizes. Trained designers know this. I realize that not everyone is working with a trained designer, and those companies can be spotted instantly through the over-design and clutter in their advertising.

Remember too that white space is easy on the eye. If your customers have to struggle to read your message, they'll just turn away. Be careful when using reversed-out type (white type on dark surface). Many type styles can't hold up under this treatment. Most especially script fonts.

Test all your print and audio/visual advertising with someone who doesn't know the message. If they don't get it quickly, then you need to modify.